Filmmaking Craft

Shallow depth of field in documentary, and when to stop down

Posted by Teodora Vlahos |

What controls shallow depth of field, how sensor size and equivalence change it, and why documentary shooters often stop down to keep focus and context.

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Welcome to Frames North

We write about documentaries and independent films the way a good programmer talks about them in the lobby: what the film is actually doing, who made it and how, and why it might be worth your evening. Some pieces are reviews and essays, some are practical guides to festivals, funding and the craft, and a fair number come back to Canadian screens, where so much of the world’s documentary tradition was invented.

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