What low-budget horror films can teach documentary makers
Blair Witch, Night of the Living Dead, The Evil Dead, Cube and Ginger Snaps hold real lessons for documentary makers about sound, suggestion and location.
Keep readingFilmmaking Craft
The 180-degree rule in film explained: the line between two people, screen direction, honest ways to cross it, and why documentary crews cross it so often.
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We write about documentaries and independent films the way a good programmer talks about them in the lobby: what the film is actually doing, who made it and how, and why it might be worth your evening. Some pieces are reviews and essays, some are practical guides to festivals, funding and the craft, and a fair number come back to Canadian screens, where so much of the world’s documentary tradition was invented.
Blair Witch, Night of the Living Dead, The Evil Dead, Cube and Ginger Snaps hold real lessons for documentary makers about sound, suggestion and location.
Keep readingBoom mic technique for small documentary crews: shotguns on camera or on a pole, boom stands, 32-bit float recorders, closed-back headphones and room tone.
Keep readingFour films for anyone choosing a Chernobyl documentary, what each one shows and leaves out, and how the 2019 HBO drama differs from the archive record.
Keep readingB-roll for documentary makers: where the term came from, A-roll versus B-roll, how editors cut with it, and the moment cover footage starts to mislead.
Keep readingHow to choose and hide a lavalier microphone, when wireless beats wired, and how backup recording, headphones and batteries keep a documentary interview safe.
Keep readingFrom Alanis Obomsawin and the Indian Film Crew to Isuma and Tasha Hubbard, a short history of Indigenous documentary in Canada and where to start watching.
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