Chernobyl documentaries worth watching, and what each one shows
Four films for anyone choosing a Chernobyl documentary, what each one shows and leaves out, and how the 2019 HBO drama differs from the archive record.
Keep readingFilmmaking Craft
Boom mic technique for small documentary crews: shotguns on camera or on a pole, boom stands, 32-bit float recorders, closed-back headphones and room tone.
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We write about documentaries and independent films the way a good programmer talks about them in the lobby: what the film is actually doing, who made it and how, and why it might be worth your evening. Some pieces are reviews and essays, some are practical guides to festivals, funding and the craft, and a fair number come back to Canadian screens, where so much of the world’s documentary tradition was invented.
Four films for anyone choosing a Chernobyl documentary, what each one shows and leaves out, and how the 2019 HBO drama differs from the archive record.
Keep readingB-roll for documentary makers: where the term came from, A-roll versus B-roll, how editors cut with it, and the moment cover footage starts to mislead.
Keep readingHow to choose and hide a lavalier microphone, when wireless beats wired, and how backup recording, headphones and batteries keep a documentary interview safe.
Keep readingFrom Alanis Obomsawin and the Indian Film Crew to Isuma and Tasha Hubbard, a short history of Indigenous documentary in Canada and where to start watching.
Keep readingHow documentary makers can protect survivors of violence on camera: ongoing consent, the right to withdraw, disguise methods, secure footage and aftercare.
Keep readingAn editor's method for shaping 200 hours of documentary footage into a film: logging, selects, paper edits, structure, honest cutting and when to lock.
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